Showing posts with label nocturnes. Show all posts
Showing posts with label nocturnes. Show all posts

Friday, October 14, 2011

Painting in the Dark

The moon was full this past week...with perfect Indian summer weather to accompany it... 

...so of course I stayed out late almost every night painting.
Cottage Lights, 8x10 oil 

It was clear that these were the last days of warm weather for a long time.
Low Tide, 6x12 oil

Marcus and I headed over to Long Sands Beach in York, Maine.

 I parked on the edge of the beach and set up to paint.

The summer people are gone.

I painted a beach scene as I waited for the moon rise over the ocean.


 The colors were vivid and beautiful and changing every few minutes.

The sun was still in the western sky when the moon rose over the ocean.

Moonrise, 6x12 oil

The sky was a bright blue for a long time after sunset.

Large flocks of migrating birds are on the beaches now with the sea gulls.

The sky slowly darkened and the moon got brighter.

The sun sets so early now ! 

It was dark by 7:30 pm.

I wear this great head lamp when I'm painting at night. 

I can see my painting and my eyes adjust easily to the dark.

There were lights across the street from the beach but I didn't notice them while I painted. 

My headlight is designed for cave exploring, so it is very bright. 

The tide was going out... the reflections on the water and sand were spectacular! 

I'm looking all around at night now...getting ideas for the next series of nocturnes.  With all these months of long nights coming up I'll have plenty of time to paint in the dark !


Friday, August 26, 2011

NIGHTFALL ON OSSIPEE LAKE

From the shores of Ossipee Lake in southern New Hampshire you can hear the loons calling from across the water.
It is a beautiful haunting sound, one I don't often hear living here on the seacoast. 
5:45 PM.... Ossipee Lake, Study, 8x10 oil

I hitched a ride up to Ossipee Lake with my husband who was performing a music concert at a private beach on the lake. Last year I went with him to this same location to paint. 
6:45 PM...Storm Clearing Ossipee, Study, 8x10 oil

It was one of those perfect late summer days. Warm and sunny with a slight breeze on the water.  

Scattered thunderstorms were predicted for the White Mountains of New Hampshire and along the seacoast of Maine. 

As soon as we arrived I unloaded my painting gear and set it on a picnic table in a stand of pines near the water's edge while I walked around looking for a place to set up . 

Suddenly a gray mass of low clouds moved rapidly across the lake from the west.  It was a column of pouring rain.  

The sun was shinning where I was standing.  Several large rain drops fell for a few seconds.   Everyone on the beach stopped and stared as this bright double rainbow formed a short distance away.

The storm cleared out in a few minutes.  The sun lit up the departing clouds. 

I set up my easel and sketched in my first design.  This evening I had a plan to paint a series of paintings as the sun set and darkness descended on the lake. 

Planning was required for this. I set up in a location where I had a variety of scenes to paint. 

I premixed some of my colors so I could paint really fast, changing colors slightly as I went. I knew I would have enough daylight to finish two studies easily.

The sun began to drop as I was working on my second study. 

The light and colors were beautiful! 

As the sun set behind the White Mountains I made sure I had all my color groups in certain spots on my palette.  

As dusk arrived the lake became very quiet. The wind stopped and the mosquitoes attacked. I painted faster. 

A big camp fire was lighting up the beach. People gathered around and began to sing songs. The music drifted across the water. I could still see the difference between the colors on my palette...but they were beginning to look muted.  
7:45 PM....Camp Songs Study, 6x8 oil

The lavender sky reflected in the water. Lights came on in cottages across the lake. I took out my flash light and put it in my apron pocket. It would be needed soon. Now it was so dark I was almost painting by intuition. I knew where the colors were on my palette.  I could see the values of the paints and by shinning a flash light on my palette every few minutes I could make sure the colors I choose were correct.
8:15 PM... Lavender Evening Study, 6x8 oil

At 8:45 PM it was dark. All the colors I was using looked like gray values. I painted as if I was making a value painting of many grays. I checked my batch of mixed colors with my flash light every few minutes to make sure I was picking up the right color. A voice behind me in the dark asked "What are you doing? Painting?"  It was so dark he couldn't see the painting till I turned on the flash light.  I put in my finishing strokes and called it a night. By then the stars were twinkling in the sky.
Summer Lake Night Study, 6x8  oil