The Scent of Pines

Vicki & I headed up to Acadia National Park for a week of painting in late June before the tourists arrived. Eagle Lake was dreamy and moody when we pulled in to paint . Clouds were tearing across the mountains tops and it was misty with rain threatening. I loved the atmosphere and layers of subtle color.

The lake was still and the reflections were lovely.

There were bands of huge pines all along the eastern shore that were ragged and leaning from many years of strong wind.

As the clouds barreled across the mountain tops cracks would appear in the fog and you could see bright sunlight and bits of blue for a few seconds.

The next day we painted on the Schoodic peninsula which is the wilder, remote part of Acadia.

It was still overcast but brighter and no rain fell.

Snow Painting Gear

At dawn in Sugar Hill, NH. , at 6:30 AM its -4 and I'm up checking the weather conditions for the day.

I paint out doors year round in New England. I live on the coast of Maine where I often have to deal with wind off the water so that figures into my clothing plan . For snow painting in the mountains it was pretty clear cut. I brought almost everything I had for high tech clothes and a few tried and true favorites .

Here is our group of painters each with their choice of cold weather garb. Boots are the most important piece of clothing. They need to be good for at least -100 and a -145 rating- this means you won't get cold feet while standing still for hours. Painters on this outing who did not have the right boots (-45 didn't work) got cold standing on snow. One painter put foot warmers in her boots and that kept her warm. Most of us had these monster boots and did not get cold feet . Cabelas and Sorrel makes boots like this that work. They are called Pac boots and are fine for dog sledding across Alaska.

Here is an example of a very cheerful painter whom you can barely recognize due the amount of clothing they are wearing! She is wearing a wool hat, neck combo specifically made for this trip. Many painters were wearing down parkas on this trip . Others were wearing wool jackets with insulated overalls. Two hats layered were not unusual.

What I used for this trip ... I wore a layer of cotton against my skin, (sometimes I wear silk) then a cotton turtle neck, a thin down vest, a thick wool sweater,a wind proof polar tech vest, a polar teck neck gator, a polar tech head band , a polar tech hat , a down parka and topping it all a wind proof shell. On the bottom I wore cotton sweat pants, polar tech pants over them and wind proof polar tech pants on the top layer. I have down pants but wanted layers in case I got too over heated. On my hands I wore fingerless wool gloves. I was very toasty - had to take off my hat and paint in the shade when the sun was out.

This trio of painters are wearing down and 2 of them are wearing 2 hats . You can see they don't look cold.

The camoflage unit on this painter was duck hunting gear. He knew it would work for painting if it worked for sitting in a duck blind for hours. It was totally insulated. Everyone was very puffy and needed to pull off layers when we went indoors.

Here is what indoors looked like...cozy and warm, the world we entered after a day of painting!

The White Mountain Painters

Snow painting is for the hale and hearty. It is a totally rewarding experience. The right equipment to keep you warm and comfortable in these cold temperatures is important.

Snow clouds moved in across the White Mountains in the late afternoon to bring a sprinkling of the white stuff at dawn.

The Sunset Hill Inn where we were "camped" is an old historic inn with a great off the beaten track location. It was perfect as a snow camp base.

During the day the clouds would come in and drag across the mountain peaks leaving a layer of white . They left a visible snow line.

It was snowing fairly steadily so I painted this sketch under the roof of the large porch on the back of the inn.

Nancy and Susan concentrated on their paintings as the temperatures dropped and the air grew damp.

Dennis and Will went for the total New Hampshire winter plein air experience in falling snow. They had favorite spots where they painted out in the open meadow.

Snow Camp in Sugar Hill, NH

Big adventure ! This past weekend I headed into the white Mountains of New Hampshire with a group of plein air painters to paint with the snow man himself Stapleton Kearns.

Here Stapleton, Ginger and Susan are heading out to find a good spot to set up .

This location on Sunset Hill in Sugar Hill in wonderful. The top is open meadows with the White Mountains to the east and the Green Mountains to the west. The sun moved in and out of thin clouds all day.

Stapleton is in his element painting snow. He is pictured here comfortably painting in 11 degrees temps.

Dennis and Willek set up and painted down in the lower meadow.

At the end of the day as the sun set and the temperatures dropped the mountain tops began forming small pink clouds on their peaks.

South Bristol & Pemaquid

The mid coast area has all these great fingers of land, islands and lots of little harbors with those craggy rocks poking out everywhere. I made my way down to South Bristol where I crossed "The Gut," parked just south of the draw bridge and did this quick sketch of some dories at the town dock.

I made my way down to South Bristol where I parked just south of the draw bridge and did this quick sketch of some dories at the town dock.

August in Maine is peak summer tourist season and is usually crowded, this day it was so hot that everyone was out on the water or at the beach. I had the place mostly to myself with a few locals stopping by to have their lunch or on their way to work. This tree was on the left bank at the edge of the channel.

I turned to my right and painted this view of channel marker # 3 right before the entrance to the drawbridge . This channel is deep and very narrow and the draw bridge goes up every 5 minutes when the lobster boats come in with their haul.

By the time I was ready to head out to the lighthouse on Pemaquid it was mid afternoon and the parking lot was full. Everyone was trying to escape the heat. No ocean breeze. I painted in the shade. Looking south the view was of those famous rocks, pines and crashing surf .

The water is too dangerous (and too cold) to swim off Pemaquid Point as it is on a huge rocky shelf with big surf. The place is beautiful. In the late afternoon clouds were building in over John's Bay as white sails dotted the water.

Damariscotta and Pemaquid Point

These watercolors are from my midcoast 6 day trip. My good friend Libby lives next to a dirt road that leads down to acres of meadows and forest along the Damariscotta River. Here is the view from a lower meadow.

From up behind the church in the center of Damariscotta I could see the boats in the harbor. While painting there a lady came up and gave me directions to a tiny cove in Round Pond where she said I would find a beautiful place to paint. I went the next day and she was right!
It was a perfect summer day. The Damariscotta River was filled with boats. These are some that were sailing up and down the bay as I was looking across toward Boothbay.
This sketch is of the boat shed in South Bristol where Pete Seeger 's boat "The Clearwater" was built. As I was drawing this scene a man came by and told me his father said the day they launched The Clearwater you could walk across the water from South Bristol to Boothbay on the beer cans floating in the river! It was a huge celebration!
Later that afternoon I went out to Pemaquid Point. Behind the light house I noticed this out building way across the lawn at the edge of the pine woods. It was in a nice, shaded, cool spot on a hot summer day. It was in the 90's that day with no sea breeze.

Monhegan & John's Bay

I've been in the studio for the past two months painting from my summer plein air studies. This past year I did a ton of watercolors ! Surprised me as I just tried it outdoors for a lark. They are so easy to use compared to oils. There is no set up. I just pull this tiny Koi color box out of my bag and paint in the pages of a notebook.

This trip was for 6 days down the peninsula from Damariscotta to Pemaquid Point and out to Monhegan. Here is a fish shack in South Bristol.

On Monhegan I painted the harbor from Fish Beach.

The day was sunny and gorgeous with horsetails in the sky over Manana.

I settled for lunch on the rocks along the harbor and painted this view of the town dock where everybody comes in their battered, half alive pick up trucks to pickup visitors and their luggage. Its a mob scene !